She is going to die tonight.
The white dress, long and filmy, hampers her effort to run. The hem catches on a branch; a large rend in the fabric slashes open, exposing her leg. A deep cut blooms red along her thigh, and the blood runs down her calf. Her hair has come loose from its braid, flies unbound behind her like gossamer wings.
In her panic, she barely notices the pain.
She thinks the ruins are to her right. From what she remembers, they are between the church and the artists’ colony, the four cottages cowering on the hillside, empty and waiting.
A horn shrieks, and she realizes the ferry is pulling away. A crack of lightning, and she sees the silhouette of the captain in the pilothouse, looking out to the turbulent seas ahead. A gamble that he makes it before the storm is upon them.
Don’t panic. Don’t panic.
Where is the church?
There it is, a flash of white through the trees. The stuccoed walls loom, the bell tower hidden behind the overgrown foliage. Now the path is moving upward, the grade increasing. She feels it in her calves and hopes again she is going the right way. The Villa is on the hill, on the northwest promontory of the island. If she can reach its doors, she will be safe.
It is too quiet. There are no birds, no creatures, no buzzing or cries, just her ragged, heavy
breath and the scree shuffling underfoot as she climbs. The furious roar of the water smashing its frustration against the rocks rises from her left, echoing against the cliffside.
The dogs begin to howl.
Climb. Climb. Keep going.
She must get to the Villa. There she can call for help. Lock herself inside. Maybe find a weapon.
A branch snaps and she halts, breathless.
Someone is coming.